|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
||
|
|
|
|
|
|
|
|||||
|
|
|
|||
|
|||||
|
||||
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
In this Second Series I move throught the exact same process as in the First Series of these compositions.
However within this second body I have decided to leave out the black ond white indicators and have allowed the outlines of
the results to achieve the compositions.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
|
|
|
|
|
|
||||
|
||||
|
||||